It was so great, we decided to make a record, but then Gary Husband got a gig with Billy Cobham, on piano. Pioneering the famous "Slinky" rock 'n roll custom string gauges that virtually all string manufacturers now use is a testament to the vision, dedication, and pursuit of innovative, quality products that have established an industry standard for over 50 years. I did use it on some tracks. In the late ’80s, you and Baker got together with Blues Saraceno. They did a tribute to Allen Woody, and asked me to sing and play on one track. And a lot of the press people, especially in Britain, where they’re renowned for being kind of weird, always compared him to Eric. The SIT Silencers Semi-Flat Compression Wound Strings were developed for Jack Bruce, as he wanted a string that would still get the growl without damaging the rosewood fingerboard on his basses. The sixties also saw the rise in popularity of the 12-string guitar so it's hardly surprising that an 8-string bass should appear. Miles Davis was a huge fan of Jimi Hendrix and of Cream, and he was trying to go in that direction back then, as well. It was a lot of fun. It’s in an unusual tuning, DDAD, and, Bruce shows you how to use the open strings to create beautiful drones and double stops. Feeling that the summer of love was far over and the pschedelic movement moving on, John decided to have the his paint job stripped from the top of his J-160. I asked if I could ‘babysit’ it, because I was a fledgling bass player. We were the pioneers, and pioneers often don't get the recognition they deserve. Sort by. Well, I wanted to play bass like a guitar, and you can’t do that on a regular Fender; you can’t bend the strings. So Gary Moore and I were ready to go into the studio, and I looked at him and said, “The red man?” (laughs). S.I.T. Written by Jack Bruce (he of Cream fame) and lyricist Pete Brown, "Theme For An Imaginary Western" was included on Bruce's 1969 solo album Songs For A Tailor, released shortly after Cream's demise.Felix Pappalardi, who was Bruce's producer, recorded the song with his band Mountain for their 1970 album Climbing!.With Pappalardi on lead vocals, this became the most popular version of the song. - Gibson EB-3 bass. Bruce then uses his mass strength to tow the Orca as the three make attempts to tie him off. So with no guitar, I was occasionally able to play little guitar-like solos. Log in or sign up to leave a comment Log In Sign Up. We improved it by making one of the horns a bit longer, and they incorporated a couple of other suggestions. Veteran bassist Jack Bruce is back in action with a new album and tour. And now with the advantage of active electronics to boost the relatively low output from this massive string, bass players now had the ability to play down to low C along with the keyboards and even have a semitone to spare! And the reason I played that one was that originally, John McLaughlin had played guitar with Graham Bond, and when he left, we got Dick Heckstall-Smith on saxophone. You list Jack Bruce and John Entwhistle as pick users, but I don’t believe either of them actually did use a pick, especially John. I’ve got a live recording that we did in Leeds, but it would be presumptuous to call it Live in Leeds (laughs)! It’s what I played on the new Shadows in the Air album, and I’m playing live with it, as well. Vintage Guitar: You started on upright bass… Bring us your dream, and we'll build it. The Warwick Jack Bruce Signature Model is a modified fretless 4-string Thumb Bass featuring MEC active pickups and LED position markers on the side of the neck. Your musical associations with Alexis Korner and Graham Bond would have gotten more into R&B and blues, so how limiting – musically and physically – was a double bass, since it had a 42″ scale? Bruce begins to eat his way up the line towards the boat and Quint makes to cut the rope, however, the cleats that had Bruce tied eventually give out and Bruce tries to go back underwater, though he is unsuccessful. MusicRadar is part of Future plc, an international media group and leading digital publisher. Log in or sign up to leave a comment Log In Sign Up. Jack Bruce: I started on cello. The guy obviously didn’t get that body doing the workouts he was showing us. Messages 1,090 . I could show you in person better. However 'regular' bass players now have four, five, six, eight and twelve string options to hand and, with extra necks, even more, but that has to be another story. Eric’s always been a fine player, and I look up to him a lot as a guitar player, but be did follow a route that was not quite as adventurous as it might have been, and I’m not alone in that thinking. During the course of that band, I met Leslie West, and he suggested forming a band, so I dissolved my band to form West, Bruce & Laing. He was very important in the development of Jamaican music like ska and reggae, as well as artists like Bob Marley, but he was also a jazz player. Learn More You Have Options. 849025775127835 Whereas Gary just goes for it, and I think that’s what rock and roll is all about. Is it fair to say that your 50th birthday concert, which was released on an album called Sittin’ On Top of the World, was the genesis of the BBM venture consisting of you, Ginger Baker, and Gary Moore? Jack Bruce: We did a seven-month tour of America, playing places like Psychedelic Supermarket in Boston, I think it was – just every little club. I did Somethin’ Els in the early ’90s, before BBM and after BBM. He’s a wonderful player and probably one of the greatest drummers ever. Shop Custom Shop. The man is amazing on bass and uses a pick/finger hybrid system that gets a tone I've never heard elsewhere. There was a problem. “Casey’s Reel” is a straightforward tune in the key of D, played in standard tuning. Jack preferred to use S.I.T. Dance The Night Away was a hypnotic wig-out featuring a rare use by Clapton of the electric 12-string guitar, apparently Jack Bruce’s suggestion. View Entire Discussion (0 Comments) More posts from the CreamBandOffical community. So I use open E … This provided low cut but it soon became known as the 'strangle' switc… When production ended session players were still using the UB-2 so Fender decided to get in on the action. Midwest fiddler Dwight Lamb is the source for this great old tune. It wasn’t something we were trying to do, but we had to play loud, because PAs weren’t very happening in those days. Certainly, in the hands of a master like James Jamerson, and later, Jaco Pastorius, they sound great, and I’ve got a couple of them myself. Although Fender's 5-stringer proved a bit of a non-starter the 5-string idea was actually a good one. So did the distorted tone seem like another paradox, considering your experiences on upright bass? Here Jack would be doing relatively light exercises on camera – jumping jacks, jogging in place, various full body movements without weights – but he was completely ripped. Bath Collectively, he has appeared in films that have grossed in excess of $2.5 billion USD, placing him in the top ten stars in terms of box office receipts. It was simply amazing, particularly when you considered that most of Jack’s peers were thumping away on Fender basses with flatwound strings through 25-watt Ampeg B-15 amplifiers. Right now, I’m working with Gov’t Mule; making honest records like that is something I’ll make a lot of time for. The semi hollow bodied 4005/8 appeared in 1967 with the strange wavy 'potato' headstock that accommodated a mixture of bass and guitar-sized tuners. England and Wales company registration number 2008885. report. CASEY’S REEL. The song is in the key of C, and I’ve always wondered if that was a misfret that you covered up quickly, or if it was intentional. Island Records was doing a jazz EP, and I was doing quite a few sessions at the time. I used La Bella light-gauge strings, which I could bend. They were usually for voices only, so we had to play loud onstage. - Warwick 5-string bass guitars (used in studio) - Warwick fretless, maple wood Star Bass II. © Some of those were Jack Bruce (Cream), Lemmy Kilmister (Motörhead), Cliff Williams (AC/DC), Steve Harris (Iron Maiden) and Les Claypool (Primus). If that instrument had been in existence years ago, I would probably have been playing it all along. I’d met Jim in ’68, and he used to have jam sessions at the Record Plant (recording studio) on Sunday nights. Ibanez made the SRC-6 Crossover in 2014. With an amplified guitar, the basic instrument is still the same. In other words, there are bands like Oasis in England, who, if you want to be honest about it, are sort of ripping off the Beatles, and there are other bands that rip off Cream or Led Zeppelin. Another music teacher named Jean Kidd, who was a huge influence on me and on many other people in Glasgow, suggested I pick up the cello, and I took to that like a duck to water. I think the first album is the better; it’s a very simple, straight-ahead rock album, and I’ve always enjoyed that. It was like all our Christmases had come at once! I had some formal lessons on bass a little later, but I was mostly applying cello techniques to the bass. Something of a monster to play as it features the four main bass strings with two octave 'drones' apiece but it produces an equally massive sound. All rights reserved. I have Vernon Reid on guitar; my son was on the album, but is not touring with us – he’s working in Colorado at the moment, producing some bands. - Warwick Thumb basses. I used some borrowed instruments, and started looking for something new, and that’s when I found the Gibson EB-3, which was very important because I wanted to develop a style of playing that was very guitar-like, instead of playing root notes. Cities of the Heart is a lovely package. I started off playing cello, then went to solo piano, and gradually, the band got bigger (chuckles). Click the gear for more info and specs. A close relation to the Jaguar, Fender’s original Bass VI-a six-string bass with a floating tremolo arm-debuted in 1961.It was discontinued in 1975, but brought back in 2013 as part of both the Fender Pawn Shop series and in a more affordable Squier version.Each song is a great example of the deeply distinctive sound of an instrument that has now made a welcome return. no comments yet. share. Was there any bass that you used between the EB-3 and your current instrument, a Warwick? I was very much a purist in wanting to play double bass, but then I was asked to do a session for a Jamaican jazz guitarist named Ernest Ranglin. Dan Armstrong actually “doctored” all of our guitars back then. Big chest, lats like wings that rivaled Bruce Lee’s, a thin waist, biceps like softballs. Fingering those strings was too much a part of his sound. Jack occasionally used some Warwick 5-string basses for recording, though he didn't perform with them onstage. Please refresh the page and try again. save. Bill Black was an upright bassist who played electric bass later, and amongst my peers, Jaco Pastorius was a bass player from the word go; Steve Swallow, like me, switched from double bass to bass guitar – in fact, he saw me at the Fillmore in ’67, and decided to purchase a bass guitar.
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