Mama’s lesson on love made a great impact on Beneatha and encouraged her to support Walter Lee for the first and only time in the play. In Hansberry’s own words, “…it is a play that tells the truth about people […] people who are the very essence of human dignity” (Nemiroff 91). Removing #book# Her family is precious and paramount and she does everything possible to protect them. The members of the Younger family view money in different ways, with Mama, Beneatha, and Ruth imagining money as a means to an end and Walter thinking of it as an end in itself. Accessed 14 December 2016. And at the end of the play she triumphantly carries her plant out of the tenement and prepares to move into the racist, all-white neighborhood of Clybourne Park. They would have noticed the play’s spiritual allusions as well as the depictions of Mama’s faith in and Beneatha’s questions about God. They need more salvation from the British and the French Beneatha says this to Mama as she attempts to "educate" her mother to what Beneatha feels are political realities. Although Asagai is not offensively sexist, perhaps due to his Western education and worldly sophistication, still his views are traditionally African, circa 1959, and, therefore, somewhat chauvinistic. Asagai teases Beneatha for straightening her hair in order to conform to the European or Hollywood standard of beauty. Previous Beneatha answers for Walter, showing solidarity with him: “That’s what the man said” (Hansberry 1972). In her 1986 essay, “A Raisin in the Sun: Anniversary of an American Classic,” Margaret Wilkerson states that the play “has become an American classic within a quarter of a century,” and in a 1986 Washington Post essay, playwright and poet Amari Baraka concludes that “what is most telling about our ignorance is that Hansberry’s play remains overwhelmingly popular and evocative of black and white reality; and the masses of black people saw it was true” (Wilkerson 1; Baraka F3 Col 1). 38, No. Meanwhile, Esperanza displays an rigorous work ethic while removing the potato eyes. After this lesson, Beneatha supports Walter Lee’s decision to scorn Lindner’s bribe. In answering Lindner, he focuses on his other family members, instead of himself, stating: What I am telling you is that we called you over here to tell you that we are very proud and that this is – this is my son, who makes the sixth generation of our family in this country, and that we have all thought about your offer and we have decided to move into our house because my father—my father—he earned it. Not until Rosa Parks dramatically refused to sit at the back of a bus in Montgomery, Alabama, in 1954, an act which accelerated the civil rights movement, did most blacks in the south even think about the absurdity of the "Jim Crow" laws. So, Mama tells Beneatha: There is always something left to love…have you cried for that boy today? What does Mama want to do with the money? What does Mama claim has happened to Walter at the end of the play? Proquest. One of the first things that Mama does when we meet her in the play is to ask after Ruth’s health and to offer to do some of the ironing (Hansberry 1920). In the south, whites rode in the front of buses, blacks in the back. Unfortunately, he loses all the money (Hansberry 1962). According to Christian teachings, human dignity derives from God – every human being was created in God’s image and so by their very existence they have inherent value and worth (The Holy Bible, Gen 1.27-8; Groody 111). Mama says Ruth should call in sick for work because she doesn't look well, but Ruth insists that they need the money. what does asagai suggest is wrong with beneatha's hair. Once she opens it, Mama comments that if it weren't for the rest of the family, she'd probably just give it to the church. Motown Records, 1971. Print. Beneatha made this statement to Asagai when they first met, a remark he had found amusing. At this point the ever-patient Mama warns Beneatha “[y]ou ‘bout to get your fresh little jaw slapped!” (Hansberry 1926). The story of Ruth is a tender one. Gourdine, Angeletta K. M. “The Drama Of Lynching In Two Blackwomen’s Drama, Or Relating Grimke’s Rachel To Hansberry’s A Raisin In The Sun,” Modern Drama, 41(4), Winter 1998. Subsequently, however, as a result of Carl Hansberry’s lawsuit, the Illinois Supreme Court declared these housing segregation laws u… She prays to God to protect her family from the Clybourne Park Improvement Association after Mr. Lindner, their representative, let the Youngers know that the white housing development did not welcome the Youngers moving into the neighborhood (Hansberry 1958). Asagai visits Beneatha, and they spend some time together by themselves. How does this reflect society and how it relates to the Younger family at the time? She encourages him to choose human dignity and his family instead of the money with which the Improvement Association is trying to bribe the family. When he chooses to keep the Clybourne Park house, choosing family well-being over money, Mama states that he is “Kind of like a rainbow after the rain” (Hansberry 1974). One for Whom Bread — Food — Is Not Enough Asagai gives Beneatha the Nigerian name "Alaiyo," which he translates roughly as: "One for whom bread — food — is not enough," meaning that his perception of Beneatha is that she is a totally developed person, both intellectually and spiritually, and that she demands answers to all of life's questions. What did the Younger family found out about Ruth? “What’s Going On.” What’s Going On. Walter is shocked but insists that Ruth would never think of doing such a thing. Just as Walter has asked her to do, Ruth tries to persuade her mother-in-law to invest the money in the liquor store. This is significant because the US film company Columbia campaigned hard for it to win in Spain and according to a Variety Weekly article, even though it did not win the Valladolid’s Golden Sheaf award for moral values, “There were many delegates and visitors […] who felt that “Raisin in the Sun” more than merited the City of Valladolid award […]” (Japan’s Prizes 15). Mama eventually has to be the one to tell him about Ruth's dilemma and is surprised that his desire for the money overshadows his concern for both Ruth and his unborn child. The conversation continues with Beneatha talking about the many activities she has been involved in (drama, horse-riding, photography, and now guitar). Print. This lack of caring is especially evident when Beneatha states that Walter Lee is “[…] not a man. Atkinson, Brooks. 23. What is unique about this object? What is unique about this object? 19. Mama sees the insurance payment as a way to fulfill her dream of owning a house, which symbolizes her deep-seated yearning for “freedom” from racial persecution. She decides to buy the family a house in the white suburbs of Chicago and tells Travis that she “went out and she bought you a house!” (Hansberry 1946). Also, she is one of the creators of the Chiral Network. (16) How does Ruth say Mama should spend the money? She does not complain about the harsh conditions - she does what she needs to do to take care of her family. Mama says that she has always wanted a house, and wishes to use th… She says to Ruth that it’s okay if Ruth stays home from work because they have to check coming in so she doesn’t have the same mindset as Walter but she is very reliant on those funds.
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