Die beigefügten Akzente zeigen, dass sie alle auf den trochäisch und musikalisch betonten ungeradzahligen Silben liegen, während es an mehreren Stellen vom quantitierenden trochäischen Versmaß der Antike abweicht, das erste Mal bei pretiosi, dessen erste Silbe pre nicht lang ist. Period: Renaissance. Title Composer Josquin Desprez: I-Catalogue Number I-Cat. Corporis mysterium, Qualiter redemptor orbis immolatus vicerit. Sanguinísque pretiósi, Quem in mundi prétium . Renowned Swedish singer-songwriter and band leader Mikael Wiehe at the center of an upcoming musical show at Malmö Live about Malmö during the last 65 years. verbo carnem efficit: The hymn Pange lingua gloriosi corporis mysterium, saguinisque pretiosi (Speak my tongue of the glorious mystery of the precious body and blood [of Christ]) is attributed to the famous thirteenth-century Dominican philosopher Thomas Aquinas. und am Ende seines Lebens 2. Pange lingua Mass (texture) monophony. Fructus ventris generosi Rex effudit gentium. Das Gotteslob (1975) enthielt ebenfalls eine komplette Übertragung, und zwar von Maria Luise Thurmair. "Kyrie" from "Missa Pange Lingua" Date: 1514. Tómame O Déjame #7. und des kostbaren Blutes, The Missa de Beata Virgine is a musical setting of the Ordinary of the Mass, by Renaissance composer Josquin des Prez.A late work, probably composed or assembled around 1510, it was the most popular of his masses in the 16th century. 493). weiche dem neuen Brauch; The rhythm of the Pange Lingua is said to have come down from a marching song of Caesar's Legions: "Ecce, Caesar nunc triumphat qui subegit Gallias." Genre: Mass. Of his 18 reliably attributed masses, the Missa Pange lingua deserves its high popularity, both for the beauty of individual moments, as well as for the elegance of its formal design. Downloads What are FLAC and MP3? Lasst uns also ein so großes Sakrament er sich selbst zur Speise dar. While the movements begin with quotations from the original, as the movements progress Josquin treats the Pange lingua tune so freely that only hints of it are heard. Gibson the Rockstar Cat. A A. Pange Lingua. 1891. quem in múndi prétium was das Auge nicht erkennt. córporis mystérium It was not formally published until 1539 by Hans Ott in Nuremberg, although manuscript sources dating from Josquin's lifetime contain the work. The work is tightly organized, with almost all of the melodic material drawn from the source hymn, and from a few subsidiary motifs which appear near the beginning of the mass. sei Lob, Preis und Herrlichkeit quem in mundi pretium Sie gehen auf den gleichnamigen Kreuzhymnus Pange lingua des Venantius Fortunatus zurück und finden sich in zahlreichen weiteren mittelalterlichen Gedichten zitiert. sind die Anfangsworte und zugleich der Titel des berühmtesten eucharistischen Hymnus, der dem Kirchenlehrer Thomas von Aquin (1225–1274) zugeschrieben wird. sieht es auch der Sinn nicht ein. 3. In supremae nocte coenae Nobis datus, nobis natus Ex intacta Virgine Et in mundo conversatus, Sparso verbi semine, Sui moras incolatus Miro clausit ordine. 16th October, 2017. sanguinísque pretiósi, Peter Phillips says in his notes that this Mass has been described by one scholar as ‘a fantasy on a plainsong'. Pange Lingua (English translation) Artist: Mocedades; Song: Pange Lingua 2 translations; Translations: English, Spanish Latin . 1 Pange, lingua, gloriosi Corporis mysterium, Sanguinisque pretiosi, Quem in mundi pretium. Josquin lived during a transitional stage in music history. 494). Jahrhunderts schuf Johann Nepomuk David ein Pange lingua (1928). Darum lasst uns tief verehren Fleisch und Blut zur Opferspeise, Zu Informationen über den gleichnamigen Kreuzhymnus des Venantius Fortunatus siehe, Mizler-Übersetzung, Tafeln XXIII, XXIV, XXVII, XXIX, XXX, Eine von mehreren Fassungen des Pange lingua, die der, Beschreibung des Pange lingua beim Erzbistum München und Freising mit einer Übertragung, die nur geringfügig von der von Heinrich Bone abweicht, Der Versuch einer Neuübertragung des Fronleichnamshymnus Pange lingua von Liborius Lumma, Über Kontrafakturen gregorianischen Repertoires - Pange, lingua, gloriosi, https://de.wikipedia.org/w/index.php?title=Pange_lingua&oldid=185408858, „Creative Commons Attribution/Share Alike“. und der Wein wird das Blut Christi. 41, the Jupiter Symphony. Dans le cas de Pange lingua, généralement reconnue comme un de ses chefs-d’oeuvre, cette liberté prend la forme d’une ‘fantaisie sur un plain-chant’ (Gustave Reese, Music in the Renaissance, 1954, p.244). aus der unversehrten Jungfrau Die Wörter súper und crúcis werden nicht, wie die trochäische Akzentmetrik fordern würde (der Vers beginnt mit et super crucis), auf der jeweils zweiten Silbe betont. Pope Marcellus Mass (climax texture) polyphony. Die erste Strophe lautet hier: Pange, lingua, gloriosi proelium certaminis Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings. Zusätzlich ist dort eine weitere Übertragung von Friedrich Dörr angegeben, allerdings nur für die meistgesungenen Strophen, nämlich die fünfte und sechste, die unter dem Namen Tantum ergo bekannt sind. sei Lob und Jubel, Pope Marcellus Mass (influence/direction) counter-reformation. Simon Lohet,[1] Michelangelo Rossi,[2] François Roberday,[3] Johann Caspar Ferdinand Fischer,[4] Johann Jakob Froberger,[5][6] Johann Caspar von Kerll,[7] Johann Sebastian Bach,[8] Johann Joseph Fux komponierten Fugen darüber, und durch Fux’ ausführliche Ausarbeitungen zu dem Thema im Gradus ad Parnassum[9] wurde es zum Lehrbeispiel für angehende Komponisten, unter ihnen auch Wolfgang Amadeus Mozart, dessen Jupiter-Thema aus den ersten vier Noten besteht.[10]. Auch evangelische Komponisten wie Dieterich Buxtehude haben den Text als musica sub communione (Musik zur Austeilung des Abendmahls) vertont (BuxWV 91). The last two stanzas, called, separately, ... texture. compar sit laudatio. et si sensus deficit, A prominent biographer confidently calls this the "last Mass composed by Desprez," but no contemporary data can reliably date it. Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings. mit dem Geist im höchsten Throne, der König der Völker, vergoss. Tantum ergo Sacramentum 544 (im Gotteslob 2013: Nr. This page was last edited on 28 January 2021, at 03:09. Many northern musicians moved to Italy, the heart of the Renaissance, attracted by the Italian nobility's patronage of the arts; while in Italy, these composers were influenced by the native Italian styles, and often brought those ideas with them back to their homelands. Pange lingua gloriosi corporis mysterium, ascribed to Thomas Aquinas, is by far the more commonly set and is the subject of this page. Er ist in Auftakt und Aufbau an den Kreuzeshymnus Pange lingua gloriosi proelium certaminis angelehnt und von hohem künstlerischem Rang. dann gibt er der Schar der Zwölf observata lege plene Das Pange lingua des Thomas von Aquin wird vor allem zur Feier des Fronleichnamsfestes und am Gründonnerstag gesungen. und des unschätzbaren Blutes, Pange lingua has been translated into many different languages for worship throughout the world. durch sein Wort zu Fleisch; Fructus ventris generósi. Dieser Artikel beschreibt den eucharistischen Hymnus des heiligen Thomas von Aquin. Singt in lautem Jubeltone: -Texture Change: It changes from homophony and point of imitation -sacred polyphonic motet -imitative counterpoint -all four voices are equally important??? hat er die Saat des Wortes ausgestreut eine Macht und Wesenheit! IJ 63 Movements/Sections Mov'ts/Sec's: 5 Year/Date of Composition Y/D of Comp. In der Nacht des letzten Mahls As Vesta Was … Rex effúdit géntium. Rhythm, meter, and texture: Varied, flowing rhythms, in line with how Renaissance music favored varying rhythmic independence for the melodic lines. sensuum defectui. There are at least 16 surviving manuscript and four printed editions of the work scattered across the whole of Europe, all of which bears witness to its widespread acclaim. Pope Marcellus Mass (voices) six part mass. Herr der Völker aller Zeit. und der alte hat ein End. 495 enthalten, dazu eine Neuübertragung des gesamten Hymnus von Liborius Olaf Lumma (Nr. The Syriac translation of "Pange lingua" was used as part of the rite of benediction in the Syro-Malabar Catholic Church of Kerala, India, until the 1970s. 2002, p. XX and XLI (FbWV 202). sei gleiches Lob. Two ways of listening are possible. 860.4K. [3], The hymn on which the mass is based is the famous Pange Lingua Gloriosi, by Thomas Aquinas, which is used for the Vespers of Corpus Christi, and which is also sung during the veneration of the Blessed Sacrament. mit den vorgeschriebenen Speisen; Klenz p. 169: "Well known to students of counterpoint as an imposed cantus firmus, this sequence of notes is one of the most gnomic groupings of tones ever devised by Western music". gab mit eigner Hand den Seinen des verherrlichten Leibes What is the predominant texture of Pange lingua a monophony c imitative from HUMA 118 at Ivy Tech Community College of Indiana für das Versagen der Sinne. Bret Heim - GIA Publications From the opening chant to the gradual addition of other voices in four-part harmony, this piece will be a great addition to any liturgical worship service. Preise, Zunge, das Geheimnis Pange, lingua, gloriosi. Im Folgenden wird er von der Übertragung von Heinrich Bone (1847), wie sie im Gesangbuch Gottesdienst steht, begleitet. Besides the Solemnity of Corpus Christi, this hymn is also used on Holy Thursday. ad firmandum cor sincerum Siegbert Rampe: Preface to "Froberger, New Edition of the Complete Works I", Kassel etc. Background. Features triple meter and imitative polyphony. Februar 2019 um 15:47 Uhr bearbeitet. saß er in der Jüngerschar. Le Llamaban Loca #14. Add CD to basket . The Missa Pange lingua is considered to be Josquin's last mass. "[9], Rather than being a summation of his previous techniques, as can be seen in the last works of Guillaume Dufay, Josquin's mass synthesizes several contrapuntal trends from the late 15th and early 16th centuries into a new kind of style, one which was to become the predominant compositional manner of the Franco-Flemish composers in the first half of the 16th century. procedenti ab utroque Nobis datus, nobis natus. et antiquum documentum schafft durch Wort aus Brot und Wein Pange lingua gloriosi Corporis mysterium, Sanguinisque pretiosi, Quem in mundi pretium Fructus ventris generosi, Rex effudit gentium. das, zum Heil der Welt geweiht, ein so großes Sakrament; genügt allein der Glaube. novo cedat ritui: mit den Brüdern bei Tisch liegend, Seine Schluss-Strophen Tantum ergo und Genitori werden auch sonst beim sakramentalen Segen gesungen, zur Aussetzung des Allerheiligsten. Pange lingua gloriosi In festo Corporis Christi [romano] 1581a, 1600b Tomás Luis de Victoria (c.1548-1611) nu tri ri y cer fra ste y y um bus i y y y po cum ne y ris bens re y my cum mur y y ge su tum y lin pre er y gua mæ go y glo no sa y 81. The "intellectual" approach whereby you study the intricate construction of the canons and the "aesthetic" approach where you allow yourself to be mesmerized by the exquisite beauty of the flowing polyphony. Die vollklingenden packenden Anfangsworte Pange lingua kehren in etwa 100 späteren Hymnen wieder, so auch im eucharistischen Hymnus Pange lingua von Thomas von Aquin. [3][10], Building on Josquin's fugal treatment of the Pange Lingua hymn's third line in the Kyrie of the Missa Pange Lingua, the "Do-Re-Fa-Mi-Re-Do"-theme became one of the most famous in music history. Verbum caro, panem verum Pange Lingua Gloriosi Pange Lingua Gloriosi (Hail Our Savior's Glorious Body) arr. Nobis datus, nobis natus Their prize-winning recording of the "Missa Pange Lingua" is matched by this absolutely stunning performance of these two "canon based" masses. was ihm sagt der Glaub allein. dieses Leibs voll Herrlichkeit Choral Public Domain Library (ChoralWiki), https://en.wikipedia.org/w/index.php?title=Missa_Pange_lingua&oldid=1003252806, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License. Background [edit | edit source]. von der Jungfrau, keusch und rein, The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life.Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings. MP3 $10.00. Pope Marcellus Mass (time period) 1557, late renaissance. Saat der Wahrheit auszustreun, La Guerra Cruel #9. N/A. Mit Pange, lingua, gloriósi córporis mystérium beginnt ein eucharistischer Hymnus der von Thomas von Aquin in Auftrag von Papst Urban IV. sui moras incolatus Diese ist im Gotteslob (2013) unter Nr. Eres Tu . Dieser ließ sich auch hinsichtlich Strophenform und inhaltlichem Aufbau vom Pange lingua des Venantius Fortunatus inspirieren. veneremur cernui: Unser Glaube soll uns lehren, The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. Heil, Ehre, Macht Pange, lingua, gloriosi 1514 ca. Alle Übertragungen weichen weiter vom Urtext ab als die von Heinrich Bone (sie können hier aus urheberrechtlichen Gründen nicht wiedergegeben werden), und es handelt sich um Kontrafakturen.[11]. fitque sanguis Christi merum, The last two stanzas make up the Tantum Ergo (Down in Adoration Falling) that is used at Benediction of the Blessed Sacrament. However, the Latin version remains the most popular. Sie gehen auf den gleichnamigen Kreuzhymnus Pange lingua des Venantius Fortunatus zurück und finden sich in zahlreichen weiteren mittelalterlichen Gedichten zitiert. Wenn auch der Wahrnehmungssinn versagt, [citation needed] References. 6 4 (-) - !N/!N/!N - 36×⇩ - Carolus, 5. Es genügt dem reinen Herzen, -clear delineation of text Nawm 42 Missa Pange Lingua (Kyrie) by Josquin - Prez (1484): Mass based on the melody of the hymn Pange lingua gloriosi. laus et jubilatio, und dem, der aus Beiden hervorgeht, und der alte Bund FLAC (CD quality, 44.1 kHz, 16 bit) $13.00. fructus ventris generosi und wandelnd in der Welt, und Preis; It is sung at the procession of Corpus Christi as well as the procession to the altar of repose on Maundy Thursday. ist auf Erden er gewandelt, L. Macy (Accessed March 25, 2007), Gustave Reese (biography) and Jeremy Noble (works), "Josquin Desprez," Howard Mayer Brown, "Mass", in. Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings. das als Kaufpreis für die Welt The tone is luminous, textures are admirably clear; the ‘big’ sound I recall... — Gramophone Magazine, February 2021 More… Release Date: 29th Jan 2021; Catalogue No: 4851340; Label: Decca; Length: 82 minutes; CD $16.00. Thomas von Aquin übernahm Vers- und Strophenaufbau des Pange lingua des Venantius Fortunatus, allerdings verwendete er, wie zu seiner Zeit bereits üblich, anstatt des quantitierenden trochäischen Versmaßes der Antike einen akzentuierenden Trochäus mit Reimversen, wie man am Beispiel der ersten Strophe sieht: Pánge língua gloriósi Pope Marcellus Mass (texture) homophony. für das damals neu eingeführte Fronleichnamsfest (zu Orvieto) schrieb. Córporis mystérium. Amen. et in mundo conversatus, [4] The mass is the last of only four that Josquin based on plainsong (the others are the Missa Gaudeamus, a relatively early work, the Missa Ave maris stella, and the Missa de Beata Virgine; all of them involve, in some way, praise of the Virgin Mary). Donde Estas Corazon #12. nun das Lamm genossen war, 2,232 163. more tracks from the album 15 Años de Musica #1. sit et benedictio: The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. Amen. [20], Mizler translation, tables XXIII, XXIV, XXVII, XXIX, XXX. Als nach Vorschrift des Gesetzes mit eigenen Händen sich selbst zur Speise. ex intacta Virgine, These recordings are also available on The Tallis Scholars sing Josquin, a specially-priced double album. Uns geschenkt, uns geboren Amen. Gott, dem Vater und dem Sohne praestet fides supplementum Pange lingua Mass (other things used) 2 points of imitation, drawn-out final cadence. B. im Gotteslob (1975) unter Nr. frúctus véntris generósi Aquinas's hymn, with its exceptionally beautiful melody, was composed for Vespers on the feast of Corpus Christi (usually occurring in June) to honor, according to … sind die Anfangsworte und zugleich der Titel des berühmtesten eucharistischen Hymnus, der dem Kirchenlehrer Thomas von Aquin (12251274) zugeschrieben wird. recumbens cum fratribus Usually despatched in 3 - 4 working days. The Missa Pange lingua is considered to be Josquin's last mass. The Missa Pange Lingua is amongst the later of those that the Flemish master is known to have composed, but he did not live to see it published - it appeared in Nuremberg in 1539. [8] Several passages in homophony are striking, and no more so than the setting of "et incarnatus est" in the Credo: here the text, "...he became incarnate by the Holy Ghost from the Virgin Mary..." is set to the complete melody from the original hymn which contains the words "Sing, O my tongue, of the mystery of the divine body. Und das Wort, das Fleisch geworden, This voice contains a long-note paraphrase of the chant melody while the lower voices provide a supporting texture. Amor de Hombre #15. Jeremy Noble: "Josquin des Prez", 12, Grove Music Online, ed. Meter is "balanced" because it is not very perceptible. se dat suis manibus. The sinuous musical lines of the Ockeghem generation, the contrapuntal… Preise, Zunge, das Geheimnis El Vendedor #2. Zoltán Kodály schrieb 1929 ein Pange Lingua für gemischten Chor und Orgel. [7], Josquin uses imitation frequently in the mass, and also pairs voices; indeed there are many passages with only two voices singing, providing contrast to the fuller textures surrounding them. Das fleischgewordene Wort macht wirkliches Brot Sanguinisque pretiosi, The 1539 publisher even added the hymn's text under the notes at this point. Aufbauend auf das Kyrie der Missa Pange lingua von Josquin Desprez wurde das eine Quinte nach unten transponierte Do-Re-Fa-Mi-Re-Do-Thema der dritten Zeile des Hymnus (Sol-La-Do-Si-La-Sol) zu einem der meistverarbeiteten der Musikgeschichte. Language Greek, Latin Composer Time Period Comp. Pange Lingua #10. rex effúdit géntium. befolgt er das Gesetz ganz 2 Nobis datus, nobis natus Ex intacta Virgine, Et in mundo conversatus, Sparso verbi semine, Sui moras incolatus Miro clausit ordine. sparso verbi semine, sola fides sufficit. Josquin Des Prez's Luminous Sound He was the greatest composer of the Renaissance, and as significant a figure in his own day as Beethoven was in … und schloss die Zeit seines Aufenthalts setzt er dies Geheimnis ein. English: Bruckner's autograph manuscript of Pange lingua (1891) . In 5. Missa Pange Lingua is based on a paraphrase of the plainchant hymn for the Feast of Corpus Christi and on the disc the hymn itself is sung before we hear the Mass. miro clausit ordine. cibum turbae duodenae In der Nacht beim letzten Mahle der Glaube gebe Ersatz In der Orgelliteratur des 20. The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. Missa Pange lingua: Alt ernative. Ehre der Dreieinigkeit! Josquin - Missa Pange lingua & Missa La sol fa re mi. Pange lingua gloriosi, sung here (abridged) in a celebrated plainsong setting in the Phrygian mode. Dem Zeuger und dem Gezeugten No. Pange Lingua. Anton Bruckner 242 Bruckner's Pange lingua (1891) Pump Square. Charango #3. Et super crucis tropaeo dic triumphum nobilem, Jesus Christus hat vergossen, dieser Bund soll ewig währen, This album won the Gramophone magazine Record of the Year Award in 1987, the first time an independent label received this prestigious award. Rex effudit Gentium. Musical styles were changing rapidly, in part owing to the movement of musicians between different regions of Europe. [5] The hymn, in the Phrygian mode, is in six musical phrases, of 10, 10, 8, 8, 8, and 9 notes respectively, corresponding to the six lines of the hymn. Listen on Apple Music, Spotify and most other streaming services. Uns gegeben, uns geboren Simon Lohet,[11] Michelangelo Rossi,[12] François Roberday,[13] Johann Caspar Ferdinand Fischer,[14] Johann Jakob Froberger,[15][16] Johann Caspar Kerll,[17] Johann Sebastian Bach,[18] and Johann Fux wrote fugues on it, and the latter's extensive elaborations in the Gradus ad Parnassum[19] made it known to every aspiring composer—among them Wolfgang Amadeus Mozart, who used its first four notes as the fugal subject for the last movement of his Symphony No. Pange Lingua usually refers to one of two hymns sharing the same gregorian melody. salus, honor, virtus quoque Pange lingua (lateinisch für Besinge, Zunge!) Like most musical settings of the mass Ordinary, it is in five parts: Most of the movements begin with literal quotations from the Pange lingua hymn, but the entire tune does not appear until near the end, in the last section of the Agnus Dei, when the superius (the highest voice) sings it in its entirety, in long notes, as though Josquin were switching back to the cantus-firmus style of the middle 15th century. This was a topic of great excitement during the Renaissance; people loved the idea that the animals in the stable recognized the birth of Jesus as an important event. Desde Que Tu Te Has Ido #13. Our awesome collection of Promoted Songs » Villano. tief gebeugt verehren, Der lateinische Text des Pange lingua von Thomas von Aquin findet sich z. [2] Famous copyist Pierre Alamire included it at the beginning of one of his two compilations of masses by Josquin. Malmö, Sweden. mit einer wunderbaren Anordnung. cibis in legalibus, Moreover, in a Mass Ordinary setting, the final Agnus typically contains a unique feature that unifies the entire work or provides a contextual commentary. Diese Seite wurde zuletzt am 5. die Frucht des edlen Mutterleibes, [1] It was not available to Ottaviano Petrucci for his 1514 collection of Josquin's masses, the third and last of the set; additionally, the mass contains references to other late works such as the Missa de Beata Virgine and the Missa Sine nomine. Pan 3. Pange lingua (lateinisch für Besinge, Zunge!) Genitori, Genitoque Has Perdido Tu Tren #11. As such, the Missa Pange lingua is considered to be one of the finest examples of a paraphrase mass.[6]. zur Vergewisserung eines aufrichtigen Herzens Dagegen weist das Pange lingua des Venantius Fortunatus an zwei Stellen vom akzentuierenden trochäischen Versmaß ab.
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